DESIGN
JUN-YOU HUANG, HAN-YU LAI
黃鈞祐、賴翰宇
AWARD
2022 World Stage Design – OISTAT TAC / Additional Prize
CONCEPT
The design inspiration starts with the natural environment language of the site. The shape of the amphitheater between the environment acts like a lake in the forest. It is a mirror that reflects all of the environment and stories into the stage. Inside the mirror is a mysterious forest, wind flows blows the leaves up just like papers flowing out of the playbook, and stories are dancing with the performers on the stage. Mountains for the roof and scene, it separate the blocks of the theatre, from low to high. Trees, leaves, stories, performers, and the audiences for the interactive installations on the stage that interact with people. All of these build this beautiful natural amphitheater. Our Theater can With its variable acoustics and flexible forestall and orchestra pit, the theatre supports a range of performances, Drama, Opera, Concerts, etc. Because of the Semi-transparent design, the public loop enables the audience to experience theatre production more fully.
靈感來自該區的自然環境語彙，基地中的圓形劇場如森林中的一座湖。我們將其定義為鏡。它將所有的環境與故事反射至舞台上。鏡中是森林秘境，綠葉被風吹奏，如從劇本中散出的故事紙張，故事與表演者共舞。屋頂和背景象徵巨山環繞，由低至高把劇院的各個部分拆開。樹、葉與故事、表演者以及舞台上的互動裝置，構建了這個圓形劇場。憑借其靈活的聲學系統，支持各種的表演模式，公共環道若隱若現的設計，人們更能產生對劇場的好奇心。
